{"id":4263,"date":"2024-01-08T13:00:00","date_gmt":"2024-01-08T13:00:00","guid":{"rendered":"https:\/\/dev95.site\/reading-about-drawings\/"},"modified":"2024-01-08T13:00:00","modified_gmt":"2024-01-08T13:00:00","slug":"reading-about-drawings","status":"publish","type":"post","link":"https:\/\/dev95.site\/ar\/reading-about-drawings\/","title":{"rendered":"Reading About Drawings"},"content":{"rendered":"<div id=\"dev95-2772775852\" class=\"dev95-- dev95-entity-placement\" role=\"region\" aria-label=\"\u0627\u0644\u0625\u0639\u0644\u0627\u0646\u0627\u062a\"><script async=\"async\" data-cfasync=\"false\" src=\"https:\/\/pl27862732.profitableratecpmnetwork.com\/2ad7a50e0bbc23ac6801d7b77c501463\/invoke.js\"><\/script>\r\n<div id=\"container-2ad7a50e0bbc23ac6801d7b77c501463\"><\/div><\/div><div id=\"dev95-487476962\" class=\"dev95-before-content dev95-entity-placement\" role=\"region\" aria-label=\"\u0627\u0644\u0625\u0639\u0644\u0627\u0646\u0627\u062a\"><p style=\"text-align: center;\"><strong>Stop wasting time on dead links! \ud83d\uded1 This smart platform automatically detects your device and country to give you the exact best offer instantly. Check it out now 100% free! \ud83d\udc47<\/strong><br data-sfc-root=\"ep\" data-sfc-pl=\"|||[]\" data-complete=\"true\" data-copy-service-computed-style=\"font-family: Arial, sans-serif, &quot;Noto Color Emoji&quot;; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);\" \/><a href=\"https:\/\/www.profitableratecpmnetwork.com\/pvhx5mbcc?key=ff7d362db3c20bc86fad685cc94f1fc4\">\ud83d\udd17 <strong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"ep\" data-complete=\"true\" aria-owns=\"action-menu-parent-container\" data-copy-service-computed-style=\"font-family: Arial, sans-serif, &quot;Noto Color Emoji&quot;; font-size: 16px; font-weight: 700; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);\">[Click here]<\/strong><\/a><\/p>\n<\/div><div>Instead of digesting a new book or diving into a novel, something others do often but I do rarely, I spent my holiday break reading a five-year-old book about a trio of intertwined topics I&#8217;m particularly fond of: drawings, exhibitions, and New York City.<\/p>\n<div>\n<div class=\"separator\" style=\"clear: both;\"><a href=\"https:\/\/i0.wp.com\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjCNLGpx_kzs-uWVKWSF1t9-AepmCKTZRY8fPmZYMjAG491XU9U0zDNz-0DdcxvhdpqKiH1AsNxPUb2GlNLoTEzKjXMWgQOPHDDstDnM4kV_u1PRnY79kCxh4JOiSIVC0VLH-4RB5bBF6CUiSjY5z0iHdtn6_p_p_73vAfIjW6kRZerbnN5EbRU\/s1000\/drawings1.jpg?ssl=1\" style=\"display: block; padding: 1em 0px; text-align: center;\"><img data-recalc-dims=\"1\" width=\"1280\" decoding=\"async\" alt=\"\" border=\"0\" data-original-height=\"1000\" data-original-width=\"775\" height=\"600\" src=\"https:\/\/i0.wp.com\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjCNLGpx_kzs-uWVKWSF1t9-AepmCKTZRY8fPmZYMjAG491XU9U0zDNz-0DdcxvhdpqKiH1AsNxPUb2GlNLoTEzKjXMWgQOPHDDstDnM4kV_u1PRnY79kCxh4JOiSIVC0VLH-4RB5bBF6CUiSjY5z0iHdtn6_p_p_73vAfIjW6kRZerbnN5EbRU\/s600\/drawings1.jpg?fit=1280%2C600&#038;ssl=1\"><\/a><\/div>\n<div>\n<div style=\"text-align: left;\"><span style=\"background-color: #f3f3f3;\"><i><a href=\"https:\/\/mitpress.mit.edu\/9780262037372\/drawing-on-architecture\/\" target=\"_blank\">Drawing on Architecture: The Object of Lines, 1970-1990<\/a><\/i>\u00a0by Jordan Kauffman, published by <a href=\"https:\/\/archidose.blogspot.com\/search\/label\/mit%20press\">The MIT Press<\/a>, 2018 (<a href=\"https:\/\/amzn.to\/41L53IY\" target=\"_blank\">Amazon<\/a>\u00a0\/\u00a0<a href=\"http:\/\/affiliates.abebooks.com\/c\/1353720\/77798\/2029?u=https%3A%2F%2Fwww.abebooks.com%2Fservlet%2FSearchResults%3Fan%3Djordan%26bi%3D0%26bx%3Doff%26ds%3D30%26pn%3Dmit%26servlet%3DImpactRadiusAffiliateLinkEntry%26sortby%3D17%26tn%3Ddrawing\" target=\"_blank\">AbeBooks<\/a>)<\/span><br \/><i><a href=\"https:\/\/prestelpublishing.penguinrandomhouse.de\/book\/Buildings-in-Print\/John-Hill\/Prestel-com\/e576520.rhd\" target=\"_blank\"><\/a><\/i><\/div>\n<div style=\"text-align: left;\"><span style=\"background-color: #f3f3f3;\"><br \/><\/span><\/div>\n<div>As the book&#8217;s subtitle indicates, <i>Drawing Architecture<\/i>\u00a0covers a two-decade period \u2014 the 1970s and 80s \u2014 when architectural drawings produced by contemporary architects increased in popularity: with architects, with museums, and with the wider art market. These decades, especially the 70s, are known for its so-called &#8220;Paper Architecture,&#8221; which arose due to architects encountering a glut of commissions and offsetting it through theorizing and exploring ideas on paper. Although Jordan Kauffman, a researcher at MIT when he wrote the book and now an assistant professor at the University of Nottingham, does not restrict himself to New York City, much of the book takes place there, given the city&#8217;s role as the epicenter of the art market, the numerous art galleries holding exhibitions of architectural drawings, and the willingness of local architects to promote themselves through those galleries. These display spaces included Judith York Newman&#8217;s Spaced: Gallery of Architecture, the Leo Castelli Gallery, and the Max Protetch Gallery. There were also a number of museums and other institutions in and beyond NYC \u2014 CCA, DAM, MoMA, Getty \u2014 that increased their holdings of architectural drawings, in turn increasing value of such drawings until around 1990. Then, as architects found themselves with more projects and computers entered the realm of architectural drawing, the two-decade trend came to an end.<\/div>\n<div><\/div>\n<div>I missed Kauffman&#8217;s book when it was released in 2018, though I have to disagree with\u00a0<a href=\"https:\/\/www.architecturalrecord.com\/articles\/13724-drawing-on-architecture-the-object-of-lines-1970-1990\" target=\"_blank\">George Baird&#8217;s review published in\u00a0<i>Architectural Record<\/i><\/a>\u00a0at that time. He finds the thorough documentation and explanation of this important moment in recent history &#8220;not completely satisfactory,&#8221; due to the inability to grasp the individual drawings in the numerous photographs of gallery shows reproduced in black and white, as in the one below. Baird did appreciate the reproductions of individual drawings that are almost as numerous as the gallery photographs, but not enough to give the book a ringing endorsement. I&#8217;d counter that, since the book is about the galleries and institutions marketing and collecting the drawings rather than the drawings themselves, the illustrations selected for the book are ideal. They capture the seminal shows that led to the phenomenon that is the subject of Kauffman&#8217;s book; without them, readers would be frustrated and have to rely on the author&#8217;s extensive descriptions of the displays \u2014 descriptions that are important for the historical record but stultifying for narrative flow. (Kauffman also separately lists each piece in each seminal show, complete with values ascribed to the individual drawings.) Another review, by <a href=\"https:\/\/journal.eahn.org\/article\/id\/7577\/\" target=\"_blank\">Paul Emmons at EAHN<\/a>, is more gracious toward the book, calling it &#8220;a primary resource on the history of the commodification of architectural drawing.&#8221;<\/div>\n<table align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\">\n<tbody>\n<tr>\n<td style=\"text-align: center;\"><a href=\"https:\/\/i0.wp.com\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEh5TTnfb3BxPKYYHEwalGTAVZrIz908woGKDj_NddQwm43d3zrP3df191ZPEtR9E_sXWFrbczx6WGSh1XiBoHe2B2F8FcUaRLvR4hKtLy4mBZ7E82ZaO9u_CUAlrvOz6GI3IFdFdtPwZa4gMtmoGpuTI7-nzg8XjhByGeIM_v4qxm8gN45OqroF\/s1195\/drawings2.jpg?ssl=1\" style=\"display: block; margin-left: auto; margin-right: auto; padding: 1em 0px; text-align: center;\"><img data-recalc-dims=\"1\" decoding=\"async\" alt=\"\" border=\"0\" data-original-height=\"700\" data-original-width=\"1195\" src=\"https:\/\/i0.wp.com\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEh5TTnfb3BxPKYYHEwalGTAVZrIz908woGKDj_NddQwm43d3zrP3df191ZPEtR9E_sXWFrbczx6WGSh1XiBoHe2B2F8FcUaRLvR4hKtLy4mBZ7E82ZaO9u_CUAlrvOz6GI3IFdFdtPwZa4gMtmoGpuTI7-nzg8XjhByGeIM_v4qxm8gN45OqroF\/s600\/drawings2.jpg?w=600&#038;ssl=1\" ><\/a><\/td>\n<\/tr>\n<tr>\n<td class=\"tr-caption\" style=\"text-align: center;\">\n<table align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\">\n<tbody>\n<tr>\n<td class=\"tr-caption\" style=\"text-align: center;\"><i>Installation view of &#8220;Architecture I&#8221;\u00a0exhibition at Leo Castelli Gallery, 1977 (<a href=\"https:\/\/www.castelligallery.com\/exhibitions\/architecture-i\" target=\"_blank\">Image source<\/a>)<\/i><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div><br style=\"text-align: left;\"><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>\n<div>Being a scourer of used bookstores and having a strong interest in the period explored by Kauffman, many of the museum exhibitions and gallery shows described in the book as &#8220;seminal&#8221; were known to me before I cracked it open last month. For example, the three &#8220;Architecture&#8221; shows held at Leo Castelli Gallery every three years between 1977 and 1983 were each accompanied by catalogs: <a href=\"https:\/\/www.castelligallery.com\/publications\/architecture-i\" target=\"_blank\">the first one<\/a> is short, unpaginated and stapled, but the second and third were published by Rizzoli, <i>the <\/i>publisher of choice for American postmodern architecture in the 1980s.\u00a0Even though I&#8217;m familiar with these shows \u2014 and others, including Arthur Drexler&#8217;s <i><a href=\"https:\/\/www.moma.org\/calendar\/exhibitions\/2483\" target=\"_blank\">The Architecture of the \u00c9cole des Beaux-Arts<\/a><\/i> (MoMA, 1975) and <i><a href=\"https:\/\/drawingcenter.org\/exhibitions\/the-drawings-of-antonio-gaudi\" target=\"_blank\">The Drawings of Antonio Gaudi<\/a><\/i>\u00a0by George R. Collins (The Drawing Center, 1977) \u2014 through their printed companions, Kauffman is able to elucidate considerably more information about the exhibitions themselves as well as how they relate to the publications. <i>Architecture I<\/i>, the catalog, would lead us now to assume that just a few drawings were in <a href=\"https:\/\/www.castelligallery.com\/exhibitions\/architecture-i\" target=\"_blank\"><i>Architecture I<\/i>, the exhibition<\/a>,\u00a0for each of the seven included architects (Raimund Abraham, Emilio Ambasz, Richard Meier, Walter Pichler, Aldo Rossi, James Stirling, Venturi and Rauch), but Kauffman reveals how misleading this assumption is, by describing the circumstances of the show, illustrating it through gallery shots like the one above, and exhaustively documenting what was on display. In this sense, Emmons&#8217; description of the book as &#8220;a primary resource&#8221; is spot-on.<\/div>\n<div>\n<table align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\">\n<tbody>\n<tr>\n<td style=\"text-align: center;\"><a href=\"https:\/\/i0.wp.com\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhAz0IwbZx-yAX2sDX3X1pb1GSWMAtSms5g4LhourYrUbWFuGZOF2PpsIfY11oKHjD1se3f9WT5K4laK_PVgZJ-AZ2DdquJRsrQ6qSeXerlmetC7lXwMXLwz8vRiY-UeopoWfIZOg7F09kMD1CpHJM8i2Xfax-u8JUlBne5UZINp5jdM7C4OkeW\/s1600\/drawings3.jpg?ssl=1\" style=\"display: block; margin-left: auto; margin-right: auto; padding: 1em 0px; text-align: center;\"><img data-recalc-dims=\"1\" decoding=\"async\" alt=\"\" border=\"0\" data-original-height=\"700\" data-original-width=\"1600\" src=\"https:\/\/i0.wp.com\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhAz0IwbZx-yAX2sDX3X1pb1GSWMAtSms5g4LhourYrUbWFuGZOF2PpsIfY11oKHjD1se3f9WT5K4laK_PVgZJ-AZ2DdquJRsrQ6qSeXerlmetC7lXwMXLwz8vRiY-UeopoWfIZOg7F09kMD1CpHJM8i2Xfax-u8JUlBne5UZINp5jdM7C4OkeW\/s600\/drawings3.jpg?w=600&#038;ssl=1\" ><\/a><\/td>\n<\/tr>\n<tr>\n<td class=\"tr-caption\" style=\"text-align: center;\"><i>Covers of catalogs for three &#8220;Architecture&#8221; series exhibitions \u2014 &#8220;Architecture I,&#8221; &#8220;Houses for Sale,&#8221; &#8220;Follies&#8221; \u2014 held at Leo Castelli Gallery in 1977, 1980, and 1983, respectively<\/i><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<div><\/div>\n<div>While I found it rewarding to learn more about these and other exhibitions I had previous awareness of, <i>Drawing on Architecture<\/i>\u00a0was not short on revealing new information to me. Take, for instance, Spaced, the gallery run by Judith York Newman, a name considerably less familiar all these years later than Castelli, Protetch, and the like. The first iteration of Spaced was located on the Upper West Side between 1975 and 1983, making it the first gallery in the city to display architectural drawings and therefore leading the way toward other art galleries doing the same. Although Newman was integral to the reception of architectural drawings in the period, as were Martha Beck, Barbara Jakobsen (aka B.J. Archer), and Pierre Apraxine, their names border on the forgotten, at least relative to the more famous gallerists mentioned above as well as Phyllis Lambert (CCA), Heinrich Klotz (DAM), and Kristin Feireiss (Aedes) outside of NYC. <i>Drawing on Architecture<\/i>\u00a0therefore serves, in its focus, to give them much-deserved attention.<\/div>\n<div><\/div>\n<div>The shift of architectural drawings toward art and as architecture in and of themselves can also be found in <i><a href=\"https:\/\/archidose.blogspot.com\/2021\/02\/drawing-ambience.html\">Drawing Ambience: Alvin Boyarsky and the Architectural Association<\/a><\/i>, the exhibition and companion publication from 2015 about the drawings collected by Boyarsky when he was head of the AA in London. Although Boyarsky&#8217;s two-decade directorship overlapped almost exactly with Kauffman&#8217;s book, he is only touched on briefly. Instead, we learn a good deal about fellow Londoner Ben Weinreb, &#8220;the most eminent antiquarian bookseller of architectural books, prints, and drawings,&#8221; per Kauffman. Not only did he buy and sell drawings (many of them to Lambert at the CCA), making him relevant to <i>Drawing on Architecture<\/i>, he produced <a href=\"https:\/\/www.robinhalwas.com\/114000-ben-weinreb-stock-catalogues\" target=\"_blank\">58 catalogs<\/a> over the course of four decades: catalogs that &#8220;set new standards for cataloging and connoisseurship,&#8221; in Kauffman&#8217;s words. The value of\u00a0<i>Drawing on Architecture <\/i>is in discovering about Weinreb and other lesser-known players, carried out through exhaustive research and scholarship, but it is also found in the vivid portrait of 1970s\/80s New York, when the architecture and art scenes overlapped and converged, unlike any times before then or since.<\/div>\n<\/div>\n<div class=\"pvc_clear\"><\/div>\n<p id=\"pvc_stats_4263\" class=\"pvc_stats total_only  \" data-element-id=\"4263\" style=\"\"><i class=\"pvc-stats-icon large\" aria-hidden=\"true\"><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"far\" data-icon=\"chart-bar\" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 512 512\" class=\"svg-inline--fa fa-chart-bar fa-w-16 fa-2x\"><path fill=\"currentColor\" d=\"M396.8 352h22.4c6.4 0 12.8-6.4 12.8-12.8V108.8c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v230.4c0 6.4 6.4 12.8 12.8 12.8zm-192 0h22.4c6.4 0 12.8-6.4 12.8-12.8V140.8c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v198.4c0 6.4 6.4 12.8 12.8 12.8zm96 0h22.4c6.4 0 12.8-6.4 12.8-12.8V204.8c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v134.4c0 6.4 6.4 12.8 12.8 12.8zM496 400H48V80c0-8.84-7.16-16-16-16H16C7.16 64 0 71.16 0 80v336c0 17.67 14.33 32 32 32h464c8.84 0 16-7.16 16-16v-16c0-8.84-7.16-16-16-16zm-387.2-48h22.4c6.4 0 12.8-6.4 12.8-12.8v-70.4c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v70.4c0 6.4 6.4 12.8 12.8 12.8z\" class=\"\"><\/path><\/svg><\/i> <img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"16\" height=\"16\" alt=\"Loading\" src=\"https:\/\/i0.wp.com\/dev95.site\/wp-content\/plugins\/page-views-count\/ajax-loader-2x.gif?resize=16%2C16&#038;ssl=1\" border=0 \/><\/p><div id=\"dev95-2079004560\" class=\"dev95- dev95-entity-placement\" role=\"region\" aria-label=\"\u0627\u0644\u0625\u0639\u0644\u0627\u0646\u0627\u062a\"><center>\r\n<script>\r\n  atOptions = {\r\n    'key' : '4ba6b6513c00e0ba76511f798ae56401',\r\n    'format' : 'iframe',\r\n    'height' : 50,\r\n    'width' : 320,\r\n    'params' : {}\r\n  };\r\n<\/script>\r\n<script src=\"https:\/\/www.highrevenueformat.com\/4ba6b6513c00e0ba76511f798ae56401\/invoke.js\"><\/script>\r\n\t<\/center><\/div>\n<div class=\"pvc_clear\"><\/div>\n<div id=\"dev95-1058324192\" class=\"dev95-after-content dev95-entity-placement\" role=\"region\" aria-label=\"\u0627\u0644\u0625\u0639\u0644\u0627\u0646\u0627\u062a\"><p style=\"text-align: center;\"><strong>Finally, a link that actually works for your region and device! \ud83c\udf0d Get instant access to the top exclusive offers tailored just for you right now. Don&#8217;t miss out, click here! \ud83d\udc47<\/strong><br data-sfc-root=\"ep\" data-sfc-pl=\"|||[]\" data-complete=\"true\" data-copy-service-computed-style=\"font-family: Arial, sans-serif, &quot;Noto Color Emoji&quot;; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);\" \/><a href=\"https:\/\/www.profitableratecpmnetwork.com\/uzeja8ahze?key=bc876be53d6ad0ff6370ab8ea030e479\"><strong>\ud83d\udd17 [Click here]<\/strong><\/a><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Instead of digesting a new book or diving into a novel, something others do often but I do rarely, I spent my holiday break reading a five-year-old book about a trio of intertwined topics I&#8217;m particularly fond of: drawings, exhibitions,<\/p>\n<div class=\"hosteria-entry-more\"><a href=\"https:\/\/dev95.site\/ar\/reading-about-drawings\/\" class=\"no-underline font-light  group-hover:text-primary-800 dark:group-hover:text-primary-300 py-1\">Read more &gt;&gt;&gt;<\/a><\/div>\n<div class=\"pvc_clear\"><\/div>\n<p id=\"pvc_stats_4263\" class=\"pvc_stats total_only\" data-element-id=\"4263\" style=\"\"><i class=\"pvc-stats-icon large\" aria-hidden=\"true\"><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"far\" data-icon=\"chart-bar\" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewbox=\"0 0 512 512\" class=\"svg-inline--fa fa-chart-bar fa-w-16 fa-2x\"><path fill=\"currentColor\" d=\"M396.8 352h22.4c6.4 0 12.8-6.4 12.8-12.8V108.8c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v230.4c0 6.4 6.4 12.8 12.8 12.8zm-192 0h22.4c6.4 0 12.8-6.4 12.8-12.8V140.8c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v198.4c0 6.4 6.4 12.8 12.8 12.8zm96 0h22.4c6.4 0 12.8-6.4 12.8-12.8V204.8c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v134.4c0 6.4 6.4 12.8 12.8 12.8zM496 400H48V80c0-8.84-7.16-16-16-16H16C7.16 64 0 71.16 0 80v336c0 17.67 14.33 32 32 32h464c8.84 0 16-7.16 16-16v-16c0-8.84-7.16-16-16-16zm-387.2-48h22.4c6.4 0 12.8-6.4 12.8-12.8v-70.4c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v70.4c0 6.4 6.4 12.8 12.8 12.8z\" class=\"\"><\/path><\/svg><\/i> <img loading=\"lazy\" decoding=\"async\" width=\"16\" height=\"16\" alt=\"Loading\" src=\"https:\/\/dev95.site\/wp-content\/plugins\/page-views-count\/ajax-loader-2x.gif\" border=\"0\" \/><\/p>\n<div class=\"pvc_clear\"><\/div>","protected":false},"author":1,"featured_media":4264,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"fp_fajr_begins":"","fp_fajr_iqamah":"","fp_dhuhr_begins":"","fp_dhuhr_iqamah":"","fp_asr_begins":"","fp_asr_iqamah":"","fp_maghrib_begins":"","fp_maghrib_iqamah":"","fp_isha_begins":"","fp_isha_iqamah":"","fp_midnight":"","fp_midnight_name":"","fp_sunrise":"","fp_single_prayer_begins_title":"","fp_single_prayer_iqamah_title":"","fp_prayer_times_for_today":"","fp_hijra_date":"","fp_fajr_name":"","fp_dhuhr_name":"","fp_asr_name":"","fp_maghrib_name":"","fp_isha_name":"","fp_sunrise_name":"","fp_currentDate":"","fp_current_time":"","fp_current_title":"","fp_current_location":"","fp_masjid_name":"","fp_prayer_title":"","fp_next_prayer_iqamah_time":"","fp_next_prayer_iqamah_title":"","fp_next_prayer_begins_time":"","fp_next_prayer_begins_title":"","fp_next_prayer_title":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[37],"tags":[],"class_list":["post-4263","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-posts"],"a3_pvc":{"activated":true,"total_views":9,"today_views":0},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - 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