{"id":4140,"date":"2026-09-23T11:30:00","date_gmt":"2026-09-23T11:30:00","guid":{"rendered":"https:\/\/dev95.site\/where-does-london-fashion-week-go-from-here\/"},"modified":"2026-09-23T11:30:00","modified_gmt":"2026-09-23T11:30:00","slug":"where-does-london-fashion-week-go-from-here","status":"publish","type":"post","link":"https:\/\/dev95.site\/ar\/where-does-london-fashion-week-go-from-here\/","title":{"rendered":"Where Does London Fashion Week Go From Here?"},"content":{"rendered":"<div id=\"dev95-3820798616\" class=\"dev95-- dev95-entity-placement\"><script async=\"async\" data-cfasync=\"false\" src=\"https:\/\/pl27862732.profitableratecpmnetwork.com\/2ad7a50e0bbc23ac6801d7b77c501463\/invoke.js\"><\/script>\r\n<div id=\"container-2ad7a50e0bbc23ac6801d7b77c501463\"><\/div><\/div><div>\n<p>The Spring 2027 London Fashion Week shows, which concluded in the British capital Monday, had fresh energy and unbridled spirit. British Fashion Council CEO Laura Weir\u2019s regeneration strategy is taking hold and the results are tangible. Accredited buyer attendance was up 19% year-on-year and accredited <em>international<\/em> buyer attendance increased 41% for this season, according to the organization. Launchmetrics data from earlier this year showed that London Fashion Week\u2019s MIV grew 56% year-on-year for February\u2019s Fall 2026 season.<\/p>\n<p>\u201cThere is a real sense of momentum around this season,\u201d Weir tells Fashionista. \u201cWhat excites me most is the combination of extraordinary creative talent with a renewed confidence in London as a place where fashion, culture and commerce collide.\u201d<\/p><div id=\"dev95-3281833640\" class=\"dev95- dev95-entity-placement\"><center>\r\n<script>\r\n  atOptions = {\r\n    'key' : '4ba6b6513c00e0ba76511f798ae56401',\r\n    'format' : 'iframe',\r\n    'height' : 50,\r\n    'width' : 320,\r\n    'params' : {}\r\n  };\r\n<\/script>\r\n<script src=\"https:\/\/www.highrevenueformat.com\/4ba6b6513c00e0ba76511f798ae56401\/invoke.js\"><\/script>\r\n\t<\/center><\/div>\n<h4>Legacy Brands Return to LFW<\/h4>\n<figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/fashionista.com\/.image\/NTg6MDAwMDAwMDAwODAwMzQ3\/mcqueen-po-s27-008.jpg?resize=450%2C675&#038;ssl=1\" width=\"450\" height=\"675\"><figcaption>McQueen Spring 2027.<\/p>\n<p>Photo: Launchmetrics Spotlight<\/p>\n<\/figcaption><\/figure>\n<p>The biggest endorsement came in the form of McQueen\u2019s homecoming show. For the brand\u2019s first London Fashion Week show in 10 years, Creative Director Se\u00e1n McGirr fused the disparate worlds of Neoclassicism with rave culture into what he called \u201ca celebration of London\u2019s ceaselessly stimulating and transcendent power.\u201d<\/p>\n<p>Ahead of its first runway show in eight years on Sunday afternoon, Mulberry <a href=\"https:\/\/www.mulberry.com\/plugins\/investor_relations\/pdf\/Preliminary_Announcement_FY26.pdf\">reported<\/a> signs of an accelerating commercial recovery. Revenue rose 4% to \u00a3125.5 million in the year leading up to March 2026, with second-half growth accelerating to 11%, providing an auspicious backdrop to Christopher Kane\u2019s debut which subverted the British brand\u2019s heritage with a healthy dose of kink.<\/p>\n<figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/fashionista.com\/.image\/NTg6MDAwMDAwMDAwODAwMzQ4\/mulberry-atm-s27-016.jpg?resize=1013%2C675&#038;ssl=1\" width=\"1013\" height=\"675\"><figcaption>Mulberry Spring 2027.<\/p>\n<p>Photo: Launchmetrics Spotlight<\/p>\n<\/figcaption><\/figure>\n<p>Daniel Lee\u2019s Burberry show on Monday night solidified British heritage and its contemporary culture as central to his narrative at the 170-year-old brand. The company\u2019s turnaround strategy is beginning to take shape, too. Adjusted operating profit <a href=\"https:\/\/www.burberryplc.com\/news\/financial\/2026\/preliminary-results-for-52-weeks-ended-28-march-2026\">reached<\/a> \u00a3160 million in the year to March 2026, up from \u00a326 million the previous year.\u00a0<\/p>\n<h4>London\u2019s New Establishment<\/h4>\n<figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/fashionista.com\/.image\/NTg6MDAwMDAwMDAwODAwMzQ5\/rocha-atm-s27-011.jpg?resize=1013%2C675&#038;ssl=1\" width=\"1013\" height=\"675\"><figcaption>Simone Rocha Spring 2027.<\/p>\n<p>Photo: Launchmetrics Spotlight<\/p>\n<\/figcaption><\/figure>\n<p>The new establishment \u2014 Simone Rocha, Erdem and Roksanda \u2014 underscored the significance of London as a producer of world class talent. Simone Rocha\u2019s tour-de-force show on Sunday morning demonstrated elegance and maturity as she stripped back the layers to achieve a frisky femininity that struck a chord with its emotional honesty.\u00a0Erdem\u2019s 1920s romp was a revelation, looser and sexier than ever before, as was Roksanda\u2019s textural play on the rooftop of the National Theatre.<\/p>\n<figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/fashionista.com\/.image\/NTg6MDAwMDAwMDAwODAwMzUw\/erdem-atm-s27-014.jpg?resize=1013%2C675&#038;ssl=1\" width=\"1013\" height=\"675\"><figcaption>Erdem Spring 2027.<\/p>\n<p>Photo: Launchmetrics Spotlight<\/p>\n<\/figcaption><\/figure>\n<p>\u201cLondon is an important market for Neiman Marcus and Saks Fifth Avenue: The market is a thriving compilation of independent talent and legacy brands,\u201d says Chloe King, fashion director, women\u2019s, Neiman Marcus and Saks Fifth Avenue. \u201cThe world-building and clear points of view of Erdem and Simone Rocha translate into unique, emotional collections that truly resonate with our customer.\u201d<\/p>\n<p>Meanwhile, London\u2019s beloved indie darlings are growing up: Chopova Lowena and KNWLS both presented shows that felt gutsy, honest and singular. Chopova Lowena\u2019s freewheeling ideas, hodgepodge of deadstock fabrics and alternative cast of characters, juxtaposed with KNWLS\u2019s deconstructed take on femininity, felt progressive.<\/p>\n<figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/fashionista.com\/.image\/NTg6MDAwMDAwMDAwODAwMzUx\/chopova-lowena-s27-047.jpg?resize=450%2C675&#038;ssl=1\" width=\"450\" height=\"675\"><figcaption>Chopova Lowena Spring 2027.<\/p>\n<p>Photo: Launchmetrics Spotlight<\/p>\n<\/figcaption><\/figure>\n<p>The city\u2019s younger upstarts are heating up as well: There is a fierce appetite for Johanna Parv, Talia Byre and Steve O Smith. Parv\u2019s outing on Saturday was sporty and pragmatic, full of clean lines and smart techwear; Byre\u2019s crisp all-white show was shot through with neon pink and denim. Meanwhile, Smith\u2019s intimate presentation was modeled on a lecture, to fully encapsulate his artisanal techniques and painterly brushstrokes.<\/p>\n<p>\u201cLondon remains such a creative hub during fashion week. There are always so many exciting brands to discover, alongside emerging designers who bring the eclecticism, experimentation and sense of individuality that London is known for,\u201d says Brigitte Chartrand, chief merchandising officer at Net-a-Porter, which stocks London labels including Emilia Wickstead, Roksanda and young stars Aaron Esh, Pauline Dujancourt and Liberowe.<\/p>\n<figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/fashionista.com\/.image\/NTg6MDAwMDAwMDAwODAwMzU0\/roksanda-bks-s27-131.jpg?resize=1013%2C675&#038;ssl=1\" width=\"1013\" height=\"675\"><figcaption>Roksanda Spring 2027.<\/p>\n<p>Photo: Launchmetrics Spotlight<\/p>\n<\/figcaption><\/figure>\n<p>Talia Loubaton, founder of Liberowe, hosted her sophomore presentation this season, and said there is no other city that would make sense for her, not least because 80% of the collection is made in London. She says, \u201cbeing part of the London scene is very important. There is space for newness and experimentation here.\u201d<\/p>\n<p>\u201cIt\u2019s been a learning curve,\u201d says Gui Rosa, whose spunky debut at a hotel in Westminster melded the transgression of an Almodovar film with a \u201cGossip Girl\u201d-inspired debutante ball and her grandmother\u2019s wardrobe.\u00a0Growing her business, built largely around hand-crochet and knitwear, is as important as exposure, and she understands that it will most likely reach a limited but hopefully devoted audience. \u201cNot everyone will want a cardigan and a pencil skirt. We have to be really clever.\u201d<\/p>\n<h4>Distinguishing Between London Fashion <em>Week<\/em> and London\u2019s Fashion <em>Industry<\/em><\/h4>\n<figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/fashionista.com\/.image\/NTg6MDAwMDAwMDAwODAwMzU5\/talia-byre-s27-031.jpg?resize=1013%2C675&#038;ssl=1\" width=\"1013\" height=\"675\"><figcaption>Talia Byre Spring 2027.<\/p>\n<p>Photo: Launchmetrics Spotlight<\/p>\n<\/figcaption><\/figure>\n<p>The question remains whether these nascent talents \u2014 which the city prides itself on producing \u2014 can translate cultural momentum around the event into viable companies, and whether the city can hold onto them. Names like Victoria Beckham, Stella McCartney and Kiko Kostadinov set an example to others as they join the Paris Fashion Week schedule. Buzzy upstart Conner Ives decamped to New York Fashion Week for the season. Christopher Kane shuttered his namesake label three years ago.<\/p>\n<p>\u201cLondon Fashion Week\u2019s recovery is real, but so far it\u2019s a recovery of the event, not the ecosystem,\u201d says Christopher Morency, chief brand officer at Dogma, a creative agency.\u00a0<\/p>\n<p>\u201cThere is a distinction between the health of our creative pipeline and the health of the commercial ecosystem supporting it,\u201d Weir says. Since joining the BFC, she\u2019s waived schedule fees for participating designers, invested heavily in the international visitor program, and raised more than \u00a31.3 million in grants and scholarships.\u00a0\u201cDesigners are dealing with high costs, challenging wholesale conditions, access to finance and an increasingly complex international trading environment.\u201d<\/p>\n<p>To further address this, BFC 2030: Access, Creativity, Growth was launched this year to help sustain the growth of young talents, providing them with the appropriate resources to develop their businesses. The plan involves increasing access to finance and business expertise and building stronger connections between the industry and government.<\/p>\n<h4>Indie Designers Making It Work<\/h4>\n<figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/fashionista.com\/.image\/NTg6MDAwMDAwMDAwODAwMzYw\/dujancourt-s27-032.jpg?resize=1013%2C675&#038;ssl=1\" width=\"1013\" height=\"675\"><figcaption>Pauline Dujancourt Spring 2027.<\/p>\n<p>Photo: Launchmetrics Spotlight<\/p>\n<\/figcaption><\/figure>\n<p>It\u2019s evident that many young designers on the schedule are beginning to rethink the classic pipeline of fashion school-to-London Fashion Week and wholesale-to-international recognition. They supplement the traditional model with an emphasis on community, social media and direct-to-consumer businesses.\u00a0<\/p>\n<p>It\u2019s hard not to be charmed by the focused approaches of brands like Yaku, which has expanded into womenswear, A.V. VATTEV, which presented a compelling short film, or 5000, which debuted its tailoring prowess at a simple-yet-striking presentation focused on suiting. They each bring a unique, sharp and direct proposal that sits comfortably within the traditional system while keeping things nimble and small-scale.\u00a0<\/p>\n<p>It\u2019s even sweeter if you can translate artisanal craft into something commercially viable like Pauline Dujancourt did this season, with fresh backing from Dover Street Market Paris. The designer\u2019s Spring 2027 offering will help translate her feminine sensibility into a more commercially tangible proposition.\u00a0<\/p>\n<p>London\u2019s young designers are also taking on collaborations and sponsorships \u2014 like Aaron Esh with AllSaints or Priya Ahluwalia with Puma \u2014 to communicate their message. Or they\u2019re investing in their direct-to-consumer businesses like Talia Byre, or collaborating with each other, like Liberowe with jewelry brand By Pariah.<\/p>\n<h4>Where London Fashion Week Goes From Here<\/h4>\n<figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/fashionista.com\/.image\/NTg6MDAwMDAwMDAwODAwMzYx\/ahluwalia-s27-041.jpg?resize=1013%2C675&#038;ssl=1\" width=\"1013\" height=\"675\"><figcaption>Ahluwalia Spring 2027.<\/p>\n<p>Photo: Launchmetrics Spotlight<\/p>\n<\/figcaption><\/figure>\n<p>\u201cBritain does not have a creativity problem,\u201d Weir declares. \u201cThe challenge is making sure extraordinary British creativity can translate into resilient, globally competitive businesses.\u201d\u00a0Though the BFC is building on its ability to support local talent, perhaps the next phase is to broaden the conception of British fashion itself.\u00a0<\/p>\n<p>Morency suggests the British fashion industry is overlooking the brands converting cultural heat into commercially viable businesses. For example, Gymshark reported \u00a3646 million in revenue for FY25, Adanola posted \u00a3102.6 million in FY26 and Represent reported \u00a393.8m for 2024, up from just under \u00a350m in 2022. Similarly, Corteiz, Tala and UVU are gaining traction outside the industry system.<\/p>\n<p>\u201cMany people don\u2019t see these brands as \u2018fashion-worthy,\u2019 and that\u2019s a serious mistake. Almost all of them were built outside London\u2019s bubble and outside its support system,\u201d Morency explains.\u00a0<\/p>\n<figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/fashionista.com\/.image\/NTg6MDAwMDAwMDAwODAwMzYy\/gui-rosa-po-s27-001.jpg?resize=506%2C675&#038;ssl=1\" width=\"506\" height=\"675\"><figcaption>Gui Rosa Spring 2027.<\/p>\n<p>Photo: Launchmetrics Spotlight<\/p>\n<\/figcaption><\/figure>\n<p>If London Fashion Week is to play a role in rebuilding British fashion, perhaps the event itself must eventually become more than a calendar of designer runway shows. The early signs are there, especially as London Fashion Week embraces retail concepts with Dover Street Market and the high street \u2014 H&amp;M, M&amp;S and Topshop &amp; Topman had events billed on the official calendar.\u00a0<\/p>\n<p>But this London Fashion Week is just the tip of the iceberg. A greater British fashion redux is the ultimate goal.\u00a0<\/p>\n<\/div>\n<div class=\"pvc_clear\"><\/div>\n<p id=\"pvc_stats_4140\" class=\"pvc_stats total_only\" data-element-id=\"4140\" style=\"\"><i class=\"pvc-stats-icon medium\" aria-hidden=\"true\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" version=\"1.0\" viewbox=\"0 0 502 315\" preserveaspectratio=\"xMidYMid meet\"><g transform=\"translate(0,332) scale(0.1,-0.1)\" fill=\"\" stroke=\"none\"><path d=\"M2394 3279 l-29 -30 -3 -207 c-2 -182 0 -211 15 -242 39 -76 157 -76 196 0 15 31 17 60 15 243 l-3 209 -33 29 c-26 23 -41 29 -80 29 -41 0 -53 -5 -78 -31z\"\/><path d=\"M3085 3251 c-45 -19 -58 -50 -96 -229 -47 -217 -49 -260 -13 -295 52 -53 146 -42 177 20 16 31 87 366 87 410 0 70 -86 122 -155 94z\"\/><path d=\"M1751 3234 c-13 -9 -29 -31 -37 -50 -12 -29 -10 -49 21 -204 19 -94 39 -189 45 -210 14 -50 54 -80 110 -80 34 0 48 6 76 34 21 21 34 44 34 59 0 14 -18 113 -40 219 -37 178 -43 195 -70 221 -36 32 -101 37 -139 11z\"\/><path d=\"M1163 3073 c-36 -7 -73 -59 -73 -102 0 -56 133 -378 171 -413 34 -32 83 -37 129 -13 70 36 67 87 -16 290 -86 209 -89 214 -129 231 -35 14 -42 15 -82 7z\"\/><path d=\"M3689 3066 c-15 -9 -33 -30 -42 -48 -48 -103 -147 -355 -147 -375 0 -98 131 -148 192 -74 13 15 57 108 97 206 80 196 84 226 37 273 -30 30 -99 39 -137 18z\"\/><path d=\"M583 2784 c-38 -19 -67 -74 -58 -113 9 -42 211 -354 242 -373 16 -10 45 -18 66 -18 51 0 107 52 107 100 0 39 -1 41 -124 234 -80 126 -108 162 -133 173 -41 17 -61 16 -100 -3z\"\/><path d=\"M4250 2784 c-14 -9 -74 -91 -133 -183 -95 -150 -107 -173 -107 -213 0 -55 33 -94 87 -104 67 -13 90 8 211 198 130 202 137 225 78 284 -27 27 -42 34 -72 34 -22 0 -50 -8 -64 -16z\"\/><path d=\"M2275 2693 c-553 -48 -1095 -270 -1585 -649 -135 -104 -459 -423 -483 -476 -23 -49 -22 -139 2 -186 73 -142 361 -457 571 -626 285 -228 642 -407 990 -497 242 -63 336 -73 660 -74 310 0 370 5 595 52 535 111 1045 392 1455 803 122 121 250 273 275 326 19 41 19 137 0 174 -41 79 -309 363 -465 492 -447 370 -946 591 -1479 653 -113 14 -422 18 -536 8z m395 -428 c171 -34 330 -124 456 -258 112 -119 167 -219 211 -378 27 -96 24 -300 -5 -401 -72 -255 -236 -447 -474 -557 -132 -62 -201 -76 -368 -76 -167 0 -236 14 -368 76 -213 98 -373 271 -451 485 -162 444 86 934 547 1084 153 49 292 57 452 25z m909 -232 c222 -123 408 -262 593 -441 76 -74 138 -139 138 -144 0 -16 -233 -242 -330 -319 -155 -123 -309 -223 -461 -299 l-81 -41 32 46 c18 26 49 83 70 128 143 306 141 649 -6 957 -25 52 -61 116 -79 142 l-34 47 45 -20 c26 -10 76 -36 113 -56z m-2057 25 c-40 -58 -105 -190 -130 -263 -110 -324 -59 -707 132 -981 25 -35 42 -64 37 -64 -19 0 -241 119 -326 174 -188 122 -406 314 -532 468 l-58 71 108 103 c185 178 428 349 672 473 66 33 121 60 123 61 2 0 -10 -19 -26 -42z\"\/><path d=\"M2375 1950 c-198 -44 -350 -190 -395 -379 -18 -76 -8 -221 19 -290 114 -284 457 -406 731 -260 98 52 188 154 231 260 27 69 37 214 19 290 -38 163 -166 304 -326 360 -67 23 -215 33 -279 19z\"\/><\/g><\/svg><\/i> <img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"16\" height=\"16\" alt=\"Loading\" src=\"https:\/\/i0.wp.com\/dev95.site\/wp-content\/plugins\/page-views-count\/ajax-loader-2x.gif?resize=16%2C16&#038;ssl=1\" border=\"0\" \/><\/p>\n<div class=\"pvc_clear\"><\/div>","protected":false},"excerpt":{"rendered":"<p>The Spring 2027 London Fashion Week shows, which concluded in the British capital Monday, had fresh energy and unbridled spirit. British Fashion Council CEO Laura Weir\u2019s regeneration strategy is taking hold and the results are tangible. Accredited buyer attendance was<\/p>\n<div class=\"hosteria-entry-more\"><a href=\"https:\/\/dev95.site\/ar\/where-does-london-fashion-week-go-from-here\/\" class=\"no-underline font-light  group-hover:text-primary-800 dark:group-hover:text-primary-300 py-1\">Read more &gt;&gt;&gt;<\/a><\/div>\n<div class=\"pvc_clear\"><\/div>\n<p id=\"pvc_stats_4140\" class=\"pvc_stats total_only\" data-element-id=\"4140\" style=\"\"><i class=\"pvc-stats-icon medium\" aria-hidden=\"true\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" version=\"1.0\" viewbox=\"0 0 502 315\" preserveaspectratio=\"xMidYMid meet\"><g transform=\"translate(0,332) scale(0.1,-0.1)\" fill=\"\" stroke=\"none\"><path d=\"M2394 3279 l-29 -30 -3 -207 c-2 -182 0 -211 15 -242 39 -76 157 -76 196 0 15 31 17 60 15 243 l-3 209 -33 29 c-26 23 -41 29 -80 29 -41 0 -53 -5 -78 -31z\"\/><path d=\"M3085 3251 c-45 -19 -58 -50 -96 -229 -47 -217 -49 -260 -13 -295 52 -53 146 -42 177 20 16 31 87 366 87 410 0 70 -86 122 -155 94z\"\/><path d=\"M1751 3234 c-13 -9 -29 -31 -37 -50 -12 -29 -10 -49 21 -204 19 -94 39 -189 45 -210 14 -50 54 -80 110 -80 34 0 48 6 76 34 21 21 34 44 34 59 0 14 -18 113 -40 219 -37 178 -43 195 -70 221 -36 32 -101 37 -139 11z\"\/><path d=\"M1163 3073 c-36 -7 -73 -59 -73 -102 0 -56 133 -378 171 -413 34 -32 83 -37 129 -13 70 36 67 87 -16 290 -86 209 -89 214 -129 231 -35 14 -42 15 -82 7z\"\/><path d=\"M3689 3066 c-15 -9 -33 -30 -42 -48 -48 -103 -147 -355 -147 -375 0 -98 131 -148 192 -74 13 15 57 108 97 206 80 196 84 226 37 273 -30 30 -99 39 -137 18z\"\/><path d=\"M583 2784 c-38 -19 -67 -74 -58 -113 9 -42 211 -354 242 -373 16 -10 45 -18 66 -18 51 0 107 52 107 100 0 39 -1 41 -124 234 -80 126 -108 162 -133 173 -41 17 -61 16 -100 -3z\"\/><path d=\"M4250 2784 c-14 -9 -74 -91 -133 -183 -95 -150 -107 -173 -107 -213 0 -55 33 -94 87 -104 67 -13 90 8 211 198 130 202 137 225 78 284 -27 27 -42 34 -72 34 -22 0 -50 -8 -64 -16z\"\/><path d=\"M2275 2693 c-553 -48 -1095 -270 -1585 -649 -135 -104 -459 -423 -483 -476 -23 -49 -22 -139 2 -186 73 -142 361 -457 571 -626 285 -228 642 -407 990 -497 242 -63 336 -73 660 -74 310 0 370 5 595 52 535 111 1045 392 1455 803 122 121 250 273 275 326 19 41 19 137 0 174 -41 79 -309 363 -465 492 -447 370 -946 591 -1479 653 -113 14 -422 18 -536 8z m395 -428 c171 -34 330 -124 456 -258 112 -119 167 -219 211 -378 27 -96 24 -300 -5 -401 -72 -255 -236 -447 -474 -557 -132 -62 -201 -76 -368 -76 -167 0 -236 14 -368 76 -213 98 -373 271 -451 485 -162 444 86 934 547 1084 153 49 292 57 452 25z m909 -232 c222 -123 408 -262 593 -441 76 -74 138 -139 138 -144 0 -16 -233 -242 -330 -319 -155 -123 -309 -223 -461 -299 l-81 -41 32 46 c18 26 49 83 70 128 143 306 141 649 -6 957 -25 52 -61 116 -79 142 l-34 47 45 -20 c26 -10 76 -36 113 -56z m-2057 25 c-40 -58 -105 -190 -130 -263 -110 -324 -59 -707 132 -981 25 -35 42 -64 37 -64 -19 0 -241 119 -326 174 -188 122 -406 314 -532 468 l-58 71 108 103 c185 178 428 349 672 473 66 33 121 60 123 61 2 0 -10 -19 -26 -42z\"\/><path d=\"M2375 1950 c-198 -44 -350 -190 -395 -379 -18 -76 -8 -221 19 -290 114 -284 457 -406 731 -260 98 52 188 154 231 260 27 69 37 214 19 290 -38 163 -166 304 -326 360 -67 23 -215 33 -279 19z\"\/><\/g><\/svg><\/i> <img loading=\"lazy\" decoding=\"async\" width=\"16\" height=\"16\" alt=\"Loading\" src=\"https:\/\/dev95.site\/wp-content\/plugins\/page-views-count\/ajax-loader-2x.gif\" border=\"0\" \/><\/p>\n<div class=\"pvc_clear\"><\/div>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"fp_fajr_begins":"","fp_fajr_iqamah":"","fp_dhuhr_begins":"","fp_dhuhr_iqamah":"","fp_asr_begins":"","fp_asr_iqamah":"","fp_maghrib_begins":"","fp_maghrib_iqamah":"","fp_isha_begins":"","fp_isha_iqamah":"","fp_midnight":"","fp_midnight_name":"","fp_sunrise":"","fp_single_prayer_begins_title":"","fp_single_prayer_iqamah_title":"","fp_prayer_times_for_today":"","fp_hijra_date":"","fp_fajr_name":"","fp_dhuhr_name":"","fp_asr_name":"","fp_maghrib_name":"","fp_isha_name":"","fp_sunrise_name":"","fp_currentDate":"","fp_current_time":"","fp_current_title":"","fp_current_location":"","fp_masjid_name":"","fp_prayer_title":"","fp_next_prayer_iqamah_time":"","fp_next_prayer_iqamah_title":"","fp_next_prayer_begins_time":"","fp_next_prayer_begins_title":"","fp_next_prayer_title":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[37],"tags":[],"class_list":["post-4140","post","type-post","status-publish","format-standard","hentry","category-posts"],"a3_pvc":{"activated":true,"total_views":0,"today_views":0},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - 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British Fashion Council CEO Laura Weir\u2019s regeneration strategy is taking hold and the results are tangible. 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