Stop wasting time on dead links! 🛑 This smart platform automatically detects your device and country to give you the exact best offer instantly. Check it out now 100% free! 👇
🔗 [Click here]
The leaves are turning golden, the trains are turning up late, and the London Design Festival is returning for its 24th edition. This year saw giant pangolins, light shows at St Paul’s, new work from Tom Dixon, craft meeting tech at the V&A, and a new generation of designers making, experimenting and doing things their own way.
Soul by Mykola Kabluka at St. Paul’s Catherdral
The participatory installation transformed the west façade of St Paul’s Cathedral with colour generated by visitors’ thoughts and reflections.
Photo credit: Anki Delfmann
Soul by Mykola Kabluka at St. Paul’s Catherdral
Architectural details become part of the projection as shifting patterns of colour move across the cathedral façade.
Photo credit: Anki Delfmann
Soul by Mykola Kabluka at St. Paul’s Catherdral
The projection wraps around St Paul’s monumental architecture, bringing contemporary media art into dialogue with the historic building.
Photo credit: Anki Delfmann
The Pangolin Shield by Studio Saar
Traditional Indian police shields and woven rain shields form a protective skin inspired by the scales of the endangered pangolin.
Photo credit: Anki Delfmann
The Pangolin Shield by Studio Saar
Inside, a lightweight bamboo gridshell reveals the structure supporting the overlapping protective skin.
Photo credit: Anki Delfmann
The Pangolin Shield by Studio Saar
The pavilion uses bamboo sourced from across India to explore protection, migration and the movement of materials between India and Britain.
Photo credit: Anki Delfmann
Coal Drops Yard, King’s Cross
The canalside steps at Granary Square, at the heart of the King’s Cross design district.
Photo credit: Anki Delfmann
CAST Shoe at Have You Seen The Light? by Tom Dixon
A well-used cast-iron brogue holds the door to Dixon’s Have You Seen The Light? exhibition at Coal Drops Yard.
Photo credit: Anki Delfmann
FLARE by Tom Dixon
Borosilicate glass takes on a new role in FLARE, reducing traditional chandelier forms to simple, highly reflective shapes.
Photo credit: Anki Delfmann
SMASH by Tom Dixon
Mixed marble fragments are pieced together into one-off geometric mosaics, giving smaller pieces of natural stone a new life.
Photo credit: Anki Delfmann
Finally, a link that actually works for your region and device! 🌍 Get instant access to the top exclusive offers tailored just for you right now. Don’t miss out, click here! 👇
🔗 [Click here]